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About Brandy

Brandy is a natural-light photographer specializing in babies, kids and family in Calgary, AB, Canada. As Fresh Sugar Photography goes into its 5th year of business, it is now expanding into boudoir sessions and more commercial work. Brandy has two children, Emma and Charlotte, and maintains her business/family balance by taking limited sessions a month.

Brandy's style is often described as modern and fresh, and she utilizes elements she find in the homes of her clients to create images on-location. Color is often a huge element to her work.

She shoots with a Nikon D3, and is an expert at creating amazing images from low-light situations. She routinely takes family sessions over the dark winter months in Canada and is never hampered by indoor work.

About Danna

Danna has been a professional photographer for the last 13 years, after graduating from Western Academy of Photography in Victoria, British Columbia. Her specialty is studio-lit portrait work, and her passion is newborn babies and their families. Also from Calgary, AB, Danna has 3 children: Kailan, Kolby and Etain.

Danna's work is timeless, focusing on the beauty of love and relationships. The majority of her work is in black and white, making it simple and classic.

Her main camera is a Canon 5D, and has just opened a new studio in the heart of Inglewood. With a small baby at home, she takes limited sessions on weekends only, and she regularly books months in advance, working year round.

Our Countdown To WPPI – Two Photogs Meetup

We’ve got all the info on all the speakers, all the parties, and all the essential non-WPPI stuff that you need to see!

We’re breaking it down into what to do at the convention, who to see, where to go – and then we’ve got a whole lot of other stuff to do in Vegas while you are down there!

    MEETUP!

We would love to meet any and all of you that read the blog and are coming down to WPPI.
We’ll be having a low-key get-together on Sunday night at at 7:00pm at Rouge in the MGM.
We’ll be hanging out for a couple of drinks before the Canon party and we’d love for you to come by and say hi!
It’s a chance to meet some new friends before the week starts, or catch up with some old ones to make plans!

Hope you can make it!

Our Countdown To WPPI – Brandy’s Choices For Classes

We’ve got all the info on all the speakers, all the parties, and all the essential non-WPPI stuff that you need to see!

We’re breaking it down into what to do at the convention, who to see, where to go – and then we’ve got a whole lot of other stuff to do in Vegas while you are down there!

I will admit that I am not really a class-goer when it comes to WPPI. I love Vegas and I get distracted really easily. I’ve actually only ever seen a handful of speakers and what I’ve seen has been hit and miss, to be honest. I’ve seen some speakers that were really inspiring, and some that didn’t seem to share anything that wasn’t common sense. I’ve also tended to be attracted to seeing the “rockstars” of photography, going for the name instead of the topic of the presentation.

This year is going to be really different. For the first time ever, I went through the classes and made myself a schedule. BUT, guess what I did? I covered up the name and photo of the speaker and ONLY looked at the class description. I chose the classes that sounded like something I could use, or that sounded interesting. I’m really excited to see these speakers because I know that I’m going to get a lot out of what I’m hearing instead of just being impressed by the fame of the photographer. And remember that EVERY photographer speaking is a rockstar in their own right or they wouldn’t be asked to speak at WPPI!

Unfortunately, some of the classes are scheduled at the same time. (and at 8am. OUCH!) So I’m going to discuss with some friends and see if maybe we can hit different classes and compare notes after. If any readers are interested too, please let me know!

    SATURDAY

I get into town on Friday night, because I am dying to watch the print competition judging. Whether you’ve entered anything or not, I’ve always heard that this is the place where you will absolutely learn the most, hands down. I’ve always brought my husband down for the weekend before WPPI in the past and had fun with him before the convention started. This year though I really want to see the judging, so no husband for me, but still plenty of fun!

    SUNDAY

Print competition again and then I’m hoping to see:

2:30 p.m. – 4:30 p.m. / RM# 313-316
Doug Gordon — Posing is Back and It’s this Year’s Black

Come with Doug Gordon as he brings you on a complete journey toward taking your photography and business to the next level, in his straight-forward, straight from the heart, inspirational style.
You will be motivated, educated, challenged and entertained in a program that will completely transform the way you shoot. If you love speakers who are motivational and very funny, come to this class. Come because people learn best when they are laughing; because they need a motivational message; and because they need to have fun while they learn. Learn how to take immediate action and create momentum toward becoming the photographer you want to be. What better environment is there to learn than while on the fly working outside-the-box. See unconventional, unique, edgy, glamorous poses right before your eyes.

Develop a distinctive wedding style allowing you to direct a client yet capture the emotion and feel of photojournalism.

There’s a natural magic you need to learn to capture and shoot like two photographers, a main and second shooter.

    MONDAY

Ok, so I made a little exception in my rockstar philosophy because I just love Jasmine Star. But I also really want to learn more about Lightroom, so I am torn. There’s another Lightroom class on Tuesday, so I might make it work.

8:00 a.m. – 10:00 a.m. / RM# 318
Bruce Dorn — The Moving Portrait: HD Video for Still Photographers
The newest hybrid VDSLR cameras offer an unprecedented opportunity. Portrait photographers can now capture both still photographs and HD video in a single session all while using a familiar camera system. This virgin territory is largely unexplored as many still shooters are in the intimidated by the unfamiliar workflow. Join Canon Explorer of Light Bruce Dorn as he shares tips, tools and techniques for exploring this emerging trend. Bruce is a member of the Directors Guild of America and brings 25 years of Hollywood experience to the table. Creative capture techniques will be heavily emphasized in this platform session.

6:30 p.m. – 8:30 p.m. / RM# 306-307
Blake Discher — Smart Web SEO Means More Bookings
Do you know what good search engine results mean for your business? How do you direct clients to your site? Is your website getting buyers to stop and take notice? Blake Discher combines his Search Engine Optimization (SEO) expertise with his successful photo business savvy in this head-spinning session. Do not miss this chance to learn how to market your business with both on-page and off-page SEO techniques. Blake talks candidly about what your website needs to make it work for you.

6:30 p.m. – 8:30 p.m. / RM# 319-320
Jasmine Star — Ghetto Fabulous Marketing
Wait, what?! You don’t have $20,000 set aside to market your business this year? Well, then, this class may be of assistance and encourage exponential growth using basic marketing practices. Come learn ways to maximize exposure and market your brand effectively and purposefully with very little money (can you say ghetto fabulous?!) by leveraging your most valuable asset: YOU.

6:30 p.m. – 8:30 p.m. / RM# 301-302
Art Suwansang — Lightroom 2: Development Module Creative Fast Track
The Lightroom Development Module is at the core of our image-processing engine. This program will build on the fundamentals stating with the basic-adjustments palettes and scale up to the creative use of the various adjustments. Come learn how to create magic within Lightroom and be inspired by how much and how fast you can transform your images from ordinary to extraordinary. Using learned knowledge of effective presets, change an image into a stunning black-and-white, quickly enhance an image in 10 seconds, perform sky enrichment, use the localize editing as a eye enhancer, soften skin, retouch basic blemishes retouching and many more. This is definitely a session not to be missed.

    TUESDAY

8:00 a.m. – 10:00 a.m. / RM# 318
Jim Divitale — The Perfect Exposure: Mastering The Composite Image
In this fast-paced two-hour program, Jim will share his creative compositing techniques on merging images to create the perfect exposure. Topics include the start- -to-finish formula in creating the fine art composite montage, bracketing exposures for Merge to HDR, exposing and stitching the perfect panoramic, and creating multi-image extended depth of field.

2:30pm – 6:30pm
Victor Sizemore Mentor Session - http://vcsmentorsession.eventbrite.com/
A fabulously styled mentor shoot with wedding photographer Victor Sizemore in a dry lake bed. I’m not a wedding photographer, nor do I have any plans to be one. But I love learning new things, and I love love love taking photographs of beautiful people in fabulous places. I can’t wait for this. Which now means that I cannot attend:

3:30 p.m. – 5:30 p.m. / RM# 313-316
Julieanne Kost — Adobe Photoshop Lightroom
Discover the power of Adobe’s latest incarnation of Adobe Lightroom as Julieanne Kost reveals the robust new features of the next generation of image management and editing software. This action-packed session will give you the deluxe tour through new tools, powerful updated features, and product enhancements enabling you to quickly get up to speed to take advantage of the most current technology. From the novice to the seasoned expert, everyone has something to learn from this class!

3:30 p.m. – 5:30 p.m. / RM# 310
Dane Sanders — Anatomy of a Creative
If you’re serious about professional photography, it’s critical to understand what characteristics all successful creatives share in their pursuit of making their art translate into remarkable business ventures. It turns out it’s simpler and more imitable than most think. Don’t miss this must-see workshop from Fast Track Photographer author Dane Sanders.

6:30 p.m. – 8:30 p.m. / RM# 310
Kay Eskridge — And for Dessert. . . A Little Eye Candy
Kay Eskridge is taking advantage of slower economic times and reconnecting with an untapped market—boudoir photography. Creating a separate division of her studio, CelebrateSexy, is providing her a financially rewarding revenue stream and an experience her clients can’t stop talking about. How’d she do it? This program will take you through the process, show you how to market it, how to sell it and how to create a place where sexy is not defined by age, shape or size. If you’re interested in bringing a little ‘sexy’ back into your studio this program is perfect for you.

    WEDNESDAY

8:00 a.m. – 10:00 a.m. / RM# 301-302
Blair Phillips — Break the Mold: Eclectic Elegance
“Eclectic elegance” has been used to describe Blair Phillips’ style. Unusual settings, found in typical places, set Blair’s images apart while mixing eclectic lighting and poses equals trademarked success. Allow him to share effective lighting techniques for blood-pumping results and learn how he creates atypical portraits in less than perfect situations—while still maintaining consistent, salable images that set you apart and re-define the word “different.” Blair has a young team that strives for fresh ideas—be inspired to break the mold for a more fashionable tomorrow.

8:00 a.m. – 10:00 a.m. / RM# 312 + 317
Arthur Rainville & Jennifer Hudson — A Handmade, Heartfelt Life
AFFAIRS OF THE HEART: Join resident “heartist,” Arthur Levi Rainville, for a tender look into a world of heart stories. Arthur will share how he can translate the love into genuine income in these challenging times. Believing that in this high tech world we all still crave high touch, Arthur will lead us on a natural journey of sensitive portrayals perfect for brides and grooms, families and all women of affection. These two new-age artisans will offer insights into a world craving unique offerings in a never-ending challenge to retain our craftsmanship. Come be inspired and re-energized by these two creative visionaries.

A HANDMADE LIFE: Jennifer Hudson, WPPI’s first-ever International Photographer of the Year, will share her magical creative process—her inspirations, secrets to the successes of her emotional fine art portraits, and the Photoshop techniques that enhance them. She will offer glimpses into her whimsical life, liveliness for your creative soul, and innovative ideas she has invented in a quest to offer her clients artistic, personal handmade products; all a charming, informative, and inspiring culmination of the handmade life.

8:00 a.m. – 10:00 a.m. / RM# 304-305
Susan Beard, Leah MacDonald, Julia Lehman-McTigue – PARTNERS IN CRIME
Creating great relationships is the key to a successful business. Building upon this business model has allowed us to expand our primary business, Susan Beard Design Photography, in many unusual directions using other companies products and services.

Look at your business… are you creating new and exciting products for your clients each year? Are you expanding your creativity to affect the bottom line? We will show you how to create many companies under one umbrella.

2:30 p.m. – 4:30 p.m. / RM# 319-320
Matt Mendelsohn and Greg Gibson — Now It’s Personal: Taking Time Away From Weddings To Pursue Meaningful Projects
Join former USA Today photographer and photo editor Matt Mendelsohn and two-time Pulitzer-prize winner Greg Gibson as they describe the personal work that has given them new perspective on their careers as photojournalists and wedding photographers. For Mendelsohn, it was an offhand remark from a makeup artist at a wedding that led to a yearlong project that has reinvigorated his photographic passion. From Gibson, learn how his exotic travels deep into Brazil have recharged his batteries. You won’t look at wedding photography the same after this platform.

    THURSDAY

I’m going to say it. While there is an amazing list of speakers for this, and I love the concept of Ignite – I’m really disappointed that I don’t see many photographers who are not big, huge names in wedding/portrait photography right now. There was an open call for proposals so I will assume that these photogs put in the best ideas (I didn’t submit anything in case you think I’m just being a Bitter Betty) but I was way more excited about this when I thought there was going to be a collection of regular, just-like-me photogs.

9:00am-11:00am
Photographers Ignite - http://photographersignite.com/
What can you learn in just 5 minutes? Photographers Ignite is the closing program of WPPI 2010. Be there Thursday, March 11, 2010 from 9am – 11am and check out the 20 HOT presentations. Come join the fun whether you’re a speaker or just coming to take it all in!
What is Photographers Ignite? I’m glad you asked!
From Wikipedia: Ignite is a style of presentation where participants are given five minutes to speak on a subject accompanied by 20 slides. Each slide is displayed for 15 seconds, and slides are automatically advanced. The first Ignite was held in 2006 in Seattle, Washington, and was sponsored by O’Reilly Media and MAKE magazine.
Photographers Ignite is all about Photography!

So that’s what I’ve scheduled so far, not to mention all the awesome tradeshow speakers that I can see while walking the tradeshow floor. I am SUPER excited for this year’s WPPI and hope to learn a lot – and learn things that will be beneficial to both my business and myself as a photographer. If you decide to check out any of the above classes, please come sit with me, I’d love to meet you!

Our Countdown To WPPI – Danna’s class picks

We’ve got all the info on all the speakers, all the parties, and all the essential non-WPPI stuff that you need to see!

We’re breaking it down into what to do at the convention, who to see, where to go – and then we’ve got a whole lot of other stuff to do in Vegas while you are down there!

While I am taking a shorter trip to Vegas this year I still plan to sit in on a couple of classes. Really, you learn so much if you pick the right speakers. Take time to consider what you want to learn, where you would like to improve most and then take care to choose classes that are going to focus on those things. 2 years ago I sat in on some classes that were really great and I walked away with a fresh new perspective and lots of inspiration, and some other…well not so much…lol. It’s not that they were bad classes they were just not what I needed.

Sunday

2:30 p.m. – 4:30 p.m.
Doug Gordon — Posing is Back and It’s this Year’s Black

Come with Doug Gordon as he brings you on a complete journey toward taking your photography and business to the next level, in his straight-forward, straight from the heart, inspirational style.

You will be motivated, educated, challenged and entertained in a program that will completely transform the way you shoot. If you love speakers who are motivational and very funny, come to this class. Come because people learn best when they are laughing; because they need a motivational message; and because they need to have fun while they learn. Learn how to take immediate action and create momentum toward becoming the photographer you want to be. What better environment is there to learn than while on the fly working outside-the-box. See unconventional, unique, edgy, glamorous poses right before your eyes.

Develop a distinctive wedding style allowing you to direct a client yet capture the emotion and feel of photojournalism.

There’s a natural magic you need to learn to capture and shoot like two photographers, a main and second shooter. Learn from this legendary imagemaker.

Monday:

8:00 a.m. – 10:00 a.m.
Eric Meola — Seeing in Color

This lecture is meant to be inspirational as opposed to technical, personal rather than theoretical. “My focus is on my use of color, how I visualize it, how I think in color and why I use it to tell my story,” says Eric. The talk lasts approximately an hour and a half to two hours, and includes more than 200 images covering many aspects of Eric’s career from advertising through several book projects; as well shows a cross section of personal images made on trips throughout the world, including images made with both digital cameras and film.

3:30 p.m. – 5:30 p.m. / RM# 311
Rocco Ancora — Bring Your Vision to Life
Capturing stunning images in-camera is an art in itself but how do you interpret  an image and complete  your vision in the final print? Image capture has always been half of the equation. Bringing the negative to life in the hands of a master printer is the other. The digital age has allowed us to be in full control of the process. Understanding the digital concepts that allow you to bring an image to life is an essential skill for redefining the image creating process. Join three-time Australian wedding photographer of the year Rocco Ancora as he takes you through a process of digital enhancement to give your images a unique and distinct signature look.

OR

3:30 p.m. – 5:30 p.m.
Sondra Ayers & Jerry Deck — Great Studio Success Stories

Fast-paced and full of take-home information, this program will showcase a number of studio owners who have started living the Life Of Their Design. Hear and see how each of the featured studios used marketing and branding elements to build their own unique success stories. From the basics of branding to the latest tips on social and Internet marketing, this interactive program will help all who attend find their own unique marketing voice. The audience will be inspired by the photographers featured who are in the trenches just like they are! This class will captivate both beginners and seasoned pros!

Unfortunately I have to leave Tuesday afternoon, but if I were staying I would LOVE to check out these classes as well. So if any of you out there attend any of these feel free to email me with your notes…I would be very grateful :-)

Tuesday

6:30 p.m. – 8:30 p.m.
Jay Maisel — Light, Gesture, Color, Perception & New Works

Jay Maisel’s name has become synonymous with light, gesture and color. He started his professional career in 1954 and since then his images have been used for advertising, editorial and corporate communications worldwide. He has exhibited widely and his prints are in private, corporate and museum collections. Among his awards are the ASMP Life Time Achievement award, ASMP Photographer of the Year, International Center of Photography’s Infinity Award and the Art Directors Club Hall of Fame. A graduate of Abraham Lincoln High School, Cooper Union and Yale University, Jay conducts workshops, seminars and lectures around the world.  His most recent books are Jay Maisel’s New York and an homage to the World Trade Center, A Tribute.

Wednesday

2:30 p.m. – 4:30 p.m.
Matt Mendelsohn and Greg Gibson — Now It’s Personal: Taking Time Away From Weddings To Pursue Meaningful Projects

Join former USA Today photographer and photo editor Matt Mendelsohn and two-time Pulitzer-prize winner Greg Gibson as they describe the personal work that has given them new perspective on their careers as photojournalists and wedding photographers. For Mendelsohn, it was an offhand remark from a makeup artist at a wedding that led to a yearlong project that has reinvigorated his photographic passion. From Gibson, learn how his exotic travels deep into Brazil have recharged his batteries. You won’t look at wedding photography the same after this platform.

** I don’t shoot weddings but one goal for me this year is to do more personal projects. I have a book full of ideas and never make the time for them. I love learning about other photographers personal projects and what they have done for them.

Our Countdown to WPPI – What To Do After Hours

We’ve got all the info on all the speakers, all the parties, and all the essential non-WPPI stuff that you need to see!

We’re breaking it down into what to do at the convention, who to see, where to go – and then we’ve got a whole lot of other stuff to do in Vegas while you are down there!

    PARTIES

WPPI is as much about the social aspect as it is about learning. Networking and making new connections is important and easy to do.
One of the best ways to make new photographer friends is to attend one of the MANY parties being held by different vendors and sponsors. Here’s our guide to each night’s places to be!

SUNDAY

Canon Welcome Reception – http://www.wppionline.com/storage/lasvegas/events.html

FINAO Pre-Show Party – RSVP here

Airhorns And Lasers – http://www.airhornsandlasers.com/

3rd Annual WPPI Poker Tournament – http://www.evite.com/pages/invite/viewInvite.jsp?event=LMMAOTMERZJIXWOYGGFY

MONDAY

30th Anniversary Pool Party – http://www.wppionline.com/storage/lasvegas/events.html

TUESDAY

PIF “Giveaway Mania” – http://wppi2010pifparty.eventbrite.com/

Pictage Party at Studio54 – http://pro.pictage.com/wppi/pictage-party.html

10th annual [b] party – http://www.bpartyvegas.com/ (see if you can spot me in 2009’s video)

SmugMug Pajama Party – Visit Booth# 1518 for tix! 9pm-morning, and it’s free!

WEDNESDAY

Scott Robert Lim’s Party – http://scottfffabparty.eventbrite.com/?ref=esfb

WPPI Awards Ceremony – http://www.wppionline.com/storage/lasvegas/events.html


NIGHTLIFE

There are also about a million places in Vegas where you can just grab a cocktail and hang with friends, but my absolutely favorite place if the weather is nice is Parasol Down at the Wynn. Let me know if anyone wants to join me for a white cosmopolitan, the cranberries are delish!

Our Countdown to WPPI – At The Convention

We’ve got all the info on all the speakers, all the parties, and all the essential non-WPPI stuff that you need to see!

We’re breaking it down into what to do at the convention, who to see, where to go – and then we’ve got a whole lot of other stuff to do in Vegas while you are down there!

Aside from speakers WPPI is home to the biggest baddest photography trade show anywhere! With over 300 exhibitors you are sure you find many things that will improve your life as a photographer.

***Be sure to stop by the Finao booth (1209) Fiano is a super cool album vendor that loves Brandy’s work so much they asked her to design some sample albums for their booth, so make sure you check them out…and the BEST part?? One of those albums features me, my super big preggo belly and my family from our kick ass session with Brandy when I was only 1 week away from delivering my youngest daughter Etain.

Tradeshow hours are:

Monday March 8th: 10:00 a.m. – 4:00 p.m

Tuesday March 9th: 10:00 a.m. – 4:00 p.m.

Wednesday March 10th: 10:00 a.m. – 3:00 p.m.

Check out the HUGE list of exhibitors here.

There are also quite a few really cool and fun events taking place.

PLAY TAG WITH ASUKA BOOK to get in on $11,738 worth of prizes! WOW!! – playing is super easy. You will get a punch card in your WPPI welcome bag and all you have to do is get the card punched at all the partners booths and then return the card to Kubota Image Tools before 1:30 on Wednesday. The draw will be at 2:00. Not attending wppi, no worries you can still get in on some winnings by following on facebook and twitter.

Check out all the details and the Grand Prize list.….the $4000 gift certificate to B&H could buy a lot of really great stuff!

THE FABULOUS LAS VEGAS SCAVENGER HUNT

Sponsored by WPPI & Finao

Three days, twelve clues, ONE CRAZY EVENT!  The ultimate scavenger hunt with $62,000 in prizes, yes, you read that right $62,000 in prizes!!!

You do need a team of 4 and you do have to register.

MORE DETAILS HERE.

PHOTOGRAPHERS IGNITE – is the closing program (Thursday from 9am to 11am) for WPPI this year, this is a style of presentation where participants are given five minutes to speak on a subject accompanied by 20 slides. Each slide is displayed for 15 seconds. Some of the speakers are Kevin Kubota, Sarah Petty, Jessica Claire, Becker and David Jay. Just to name a few. Check out the full list here.

INTO THE DARKROOM – is having a “tweet” contest. Watch for their “tweet shirts’ and tweet the secret code for your chance to win websites, blogs or even a complete brand refresh!

photography websites

THE BOUDOIR DIVAS – are having a contest giving away gift cards! You can find more details here

psssst…. want to head down just for the tradeshow you can get a free ticket for admission from my lab of choice MPIX PRO! ;-)

Thank You.

I just have to interrupt our WPPI series to write this post. I have been completely BLOWN AWAY by the response to My 25 Biggest Mistakes article. The amount of comments posted here on the blog, on Facebook, in message boards and to me personally in emails have been so amazingly powerful to me. It sounds kind of silly, but I have really been overcome with emotion seeing such positive responses.

It’s been a great lesson to me, and maybe can be to you as well. Honesty rules. You all responded the way you did because my article was honest, and it made me realize that the less pretension the better! I’m pretty much WYSIWYG both online and with my clients, but I have sometimes held back a bit in the past.

In all of this excitement over the blog post, (seriously, we have quadrupled our readership this week) one common theme kept popping up. A bunch of people told me that I was in for some great karma. Then I heard it again yesterday. And as with karma, you kind of think of it as some far away time, maybe even another life when you reap the reward. But imagine my surprise when I learned this morning that I was in for a huge karmic payback!

I’ve been listed as one of the Top 20 in Rangefinder/WPPI’s Fresh Faces contest. My image of my daughter Emma’s first day of school is #14. It just goes to show you what a lucky shot and some good karma can get you! I’d appreciate any votes that anyone wants to throw my way. I don’t care how dorky it sounds – heck yes, I want to WIN! The prize is a spread in Rangefinder and a possible cover. Seriously, who wouldn’t want that? So vote for me if you like the image, or vote for someone else’s if you like it better. Just go vote for someone, because it will probably mean the world to whomever wins!

One final note about the emails I received. They were so heartfelt and sincere that they really inspired me. I’ve recently discovered Jasmine Star (I know, where have I been hiding?) and when I thought about how much the emails that I got meant to me, I figured that no matter how “famous” a photographer got, who doesn’t like hearing that they had a positive effect on another human being? So I wrote her a dorky little note telling her how much I admired her honesty and positive attitude. Class act that she is, she wrote me back the very next day and told me that my email made HER day!

So I’m asking all of you to take a moment to think about who inspires you and to drop them a note. I guarantee that it will mean the world to them. And what goes around, comes around.

Our Countdown to WPPI – Vegas Virgin?

We’ve got all the info on all the speakers, all the parties, and all the essential non-WPPI stuff that you need to see!

We’re breaking it down into what to do at the convention, who to see, where to go – and then we’ve got a whole lot of other stuff to do in Vegas while you are down there!

    What To Do In Vegas

If you are a Vegas virgin, there are certain things that are absolute rights of passage.

Gamble – Unless you are completely morally opposed, stick $5 in a slot machine. It’s the easiest way to gamble, and to lose your money, lol! If you want to try a table game – start with something fun and easy like Let It Ride or 3 Card Poker. Blackjack is a simple game and gives the house a very small advantage – but be aware, if you are new and play “wrong” other players at the table can get frustrated. There are no real rules to right/wrong play though, so you can just tell them to stuff it.

See Cirque Du Soliel
– It really doesn’t matter what show you see. I’ve seen O twice, Ka, Love and this year we’re seeing the new show: Viva Elvis.

Go Downtown- If you’ve never been to Las Vegas, it’s probably not really what you expected. The bright lights are still there, but they are all LED instead of neon. The hotels are bigger, classier – and there’s not a $0.99 buffet to be found anywhere. Until you go downtown. Freemont Street has an amazing light show, there are a ton of great old hotels like Binions and Fitzgeralds and you can get very cheap food and drinks. There’s a Mardi Gras feel down on Freemont Steet, and it’s a lot more of a party atmosphere than most places on the strip. Table limits are lower downtown too, so if you are a gambler on a budget, make the trip down.

Take A Risk – If you aren’t afraid of heights, go on down to the Stratosphere and check out their INSANE rides. They are all located on the TOP of the building, and some even dangle you over the edge. My palms are sweaty just thinking about it. It’s wayyyyyyy down at the other end of the strip from MGM though, so if you go, take a cab. www.stratospherehotel.com/thrills/ New York New York also has a great roller coaster that goes in AND out of the hotel, and is a quick pop across the street.

Go Shopping – As a Canadian, I feel left out on a lot of fab American stores. In Vegas though, that’s where I can get it all. Some must-see shopping areas: Fashion Show Mall, The Forum Shoppes at Caesar’s Palace, Planet Hollywood’s awesome mall. If your tastes run to the more expensive, visit all the amazing shops at the Palazzo, Bellagio and new City Center.

Eat At A Buffet – While you aren’t going to see any super crazy deals on the strip, you will get your share of buffets. Every hotel has one, and it’s very hard to go wrong. A good rule of thumb is the more upscale the hotel, the better the buffet but TI has a good, relatively cheap one with cotton candy and cupcakes as part of their dessert buffet.

See Some Animals? – Oddly enough, there are a lot of opportunities in Las Vegas to see real live animals. There are live lions in the casino in the MGM, Mandalay Bay has an amazing aquarium, Mirage has dolphins and tigers, oh my! and the Flamingo has . . . . penguins! (and flamingos, lol)

Take A Walk Down The Strip – While Las Vegas may not be the same city of old, it can’t be denied that the newest version is one of the most spectacular cities in the world. The highest class of hotels are here and the architecture and design are truly amazing. Take a look at the Bellagio, The Palazzo and the Wynn to see what decadence is all about. Don’t forget to check out the new Aria and City Center – and say hi if you see us, that’s where we’re staying!

My 25 Biggest Mistakes

I’ve made many, many more than 25 mistakes in my 5 years in this industry, but these are some of the ones that affected my business the most. If anyone of them can help any of you from making the same mistake, I’m glad to share them. Some of them may be surprising, and some of them may be so obvious you are considering me an idiot right about now. I’m ok with that.

In no particular order:

Taking on too many “free” sessions. This is a lesson that I most recently learned, and am still recovering from. I love to give to charities, and I love to expand my portfolio, and I love to give photography to my friends. However, all of this “love” has added up to a backlog that I am only now recovering from after taking some time off from shooting. I am still editing free sessions from November, and *just* finished one from September. So what, you ask? It was free! Yes, but now my reputation is suffering because I will be forever known to these people as the photographer that takes forever to get your images to you. They don’t care that it was free. They care that they actually HAVE the photographs.

Letting emails sit in my inbox. My automatic email responder tells people who inquire about a session that I will respond within 24 hours. But for the longest time, I was taking 3-4 days to get back to people, and even (gasp!) sometimes forgetting about the email at all and not finding it for weeks afterwards. Whoa. Bad, bad business practices. After getting my 5th or 6th response from potential clients who had already booked with someone else, I smartened up. I try to email back immediately after getting the email. Clients like that. And I like having clients.

Not having confidence in my work. If you haven’t really talked to me in about 3 years, you would be amazed with the change. When I was first starting out, I had very little confidence in my work. I put on a brave face with clients, but I was constantly comparing myself to other photographers, and falling short. Even when I had been in business for awhile, doubts plagued me. Now I’m not saying that today I think I’m a rockstar, but I believe in myself and I know that I can do whatever I set my mind to. I can be just as good as anybody else.

Buying too many actions/templates/etc. I have about 20 different coffee table book templates. Guess what? I have not, nor will ever offer coffee table books. WHY on earth would I even buy one template, let alone 20? Obviously because I like throwing my money away. Now I think carefully about every single business purchase I make.

Hiding. This is a personality flaw I’ve always had. When things got overwhelming, I hid. There’s a part in book Confessions of a Shopaholic where she just runs away from all her debt, etc and hides at her parents’ house. That’s me. Whenever I felt overwhelmed, I would just stick my head in the sand and pretend things weren’t happening. As you can guess, things don’t get better on their own, and you can create some pretty upset tummies by hiding out from your problems. Now, as hard as it is to do – I know that it’s just so much better to confront everything head on.

Thinking Photoshop could save me. When I started shooting RAW, I was in love with the fact that I didn’t need to custom white-balance anymore. I could just shoot and fix it later. Exposure problems? Oh well, fix it later! Except if you don’t get it right or nearly right in-camera, good luck getting a great image out of Photoshop. Oh, it can look ok . . . but do you really want to be sweating out your ordering appointment worried that they are going to choose something that was overly “fixed” in PS and might not be enlarged well? Which leads me to -

Showing clients less than awesome images. Crap exposure, weird color, missed focus. You know the minute that you put ANY image with those problems in a gallery, a client will order it. Big. HUGE! And then you can either give them a substandard product, explain to them that they can’t have the image they want, or convince them to get a canvas (heh heh). I’ve learned to save myself the headache and get rid of those images right away. Now that’s not to say that I still won’t show something with more emotion than technical perfection. But any imperfections have to be pretty minor.

Laziness. By nature, I am a lazy person. I work from my bed more than I really should admit. I love doing nothing – I love not working. It’s true! Thankfully, I love working at this particular job, so it counteracts my inherent laziness. But, I will leave things to the last minute and procrastinate and not get any work done and play Cafe World on Facebook and look at engagement rings at Costco.com. (I am already married and not likely to get engaged anytime soon.) Then I have a whole pile of work that has built up and I have to work really, really hard and I get stressed and it stinks. So I just try to plug through my to-do list everyday and schedule my laziness for appropriate times.

Laziness. Part Two. Laziness on the job. Every so often, I slip into a rut, and I stop trying new things at sessions. I go through the motions, get the usual shots and try to get the heck out of there. The clients don’t really know any differently – it doesn’t show in my personality or anything, but I’m just not that into it. I don’t feel inspired and just hit my go-to shots and then pack it up. I try now to find little things to inspire me for every session. Either a new blanket for a newborn, and new trick to make older kids laugh, or a new location. It’s up to ME to put the creativity into my photography.

Pretending I’m not a business person. If you are in business, you are a business person. I don’t care how creative you are – someone’s got to think of the biz side. If not you, then someone else. I used to only do the things I liked and let the other stuff slide. But it turns out that other stuff is kinda important, and can kill your business if you don’t take care of it. Like knowing if you are making any money. Again, leading me to:

Taxes. I am going to admit something that hopefully won’t land me in federal prison. I didn’t do taxes for 2 years. 2 years. I did my usual procrastination, then hiding routine. For two whole stinkin’ years! Imagine the knot in my stomach, always having that in the back of my mind. I had no idea what I had made, no idea what I owed, and it was making me SICK. But one day I just honestly smacked myself upside the head and bought QuickTax. It took me about 2 hours to do everything, and it was DONE!
My challenge these days is getting my taxes in on time each year. I still owe a $23 penalty from last year. I will write the cheque after this post. I promise.

I put a baby in a tree. On purpose. Against my better judgement, I had a parent suggest it, and I complied. The dad was behind the baby holding it and hiding behind the trunk. But it was still a stupid and dangerous thing to do. I completely and totally regret it. I did it because I wanted to impress other photographers. Now I don’t even SHOW that image to other people because I am so embarrassed by it.

Letting people take advantage of me. I’m Canadian, therefore I am a nice, polite, person. Which means that sometimes people try to push me around. They can try.
Because after having a couple of people push me to bend policies and then getting severely burned by doing so, I don’t let myself get pushed around anymore. I still give great customer service, and almost always say yes – but sometimes those yes’es have price tags that I attach. If something is going to take me extra time to do and it’s outside the norm of what I offer, then I will charge for it accordingly. There’s a great saying about bending over backwards, not forwards.Also, for those of you involved in commercial photography – this is practically an epidemic. Because there are so many photographers willing to shoot for peanuts because they think it’s “exciting”, more and more companies will try to lowball you for jobs. DON’T LET THEM. Know what your rates should be, and if you don’t – get FotoQuote or get out of shooting commercial projects.

I used to pay A LOT of attention to my local competition. So much so that I could tell you what hex code they used on the text on the footer of their blog. In other words, too much attention. I still think that a knowledge of your local market is smart for ANY business, I think photographers can get wrapped up in each other way too easily. When you look at another photographer’s site, there’s just no way to be objective. You are always going to find locations that are cooler, shots that are better, prices that are lower. It did me no good to get tied up in knots about stuff like that, and it didn’t inspire me to be a better photographer. More like a bitter photographer.

Studio Envy. I will admit that I still get studio envy every so often, have you SEEN Danna’s? I’d love to be able to not have to drive all over creation to get to a session, I’d love to have that professionalism that comes with having a space. However, with money being important to me and the lease prices being crazy expensive in Calgary (about 3K a month for 1000sqft, not including insurance, electricity, utilities, parking, furnishings, etc) it just doesn’t make a lot of financial sense for me to do it. Yes, I could take more sessions, and yes, my sales would be higher with the in-person ordering. At the moment though, with my youngest daughter still two years away from school, I don’t have the time to devote to being there. It’s just a financial risk that I am not willing to take right now. I am more about keeping the money for awesome vacations than paying “the man” every month.

Overexposing in my processing. I went through a phase for about a year, where everything I did was SO FREAKING BRIGHT. I have no idea why, except at the time I thought it was awesome. I took some shots of my Filipino friends, and after I processed them, they looked more caucasian than I do! Bright, light skin doesn’t look natural, and while it is a look, it’s not one that I am going for anymore.

Underexposing in my shooting. What the heck was I doing for awhile there where all my images were so dark in-camera? Maybe that’s why I was over-processing them later. All my images for a period were underexposed by at least a stop, requiring me to adjust exposure later in RAW and introduce more noise to the image. Now I tend to overexpose slightly if anything, because an overexposed RAW file is much easier to recover and process than an underexposed one.

Message boards. I still visit some photography forums, but I don’t devote the hours upon hours that I used to. Forums like ILP and Props can have a wealth of knowledge, but also a wealth of other stuff that will suck away your time. Maybe it’s because I don’t have as much to learn, but I don’t spend a lot of time on forums anymore, which makes me a lot more productive. If you can keep your participation to a level where it’s not damaging your overall time management, then have at ‘er. Just know what threads are worthwhile. And make sure you try to keep giving back what you get.

Believing the hype. I used to get sucked into believing pretty much everything I heard. A photographer with an average sale of 13K. Someone who was traveling all over the world to shoot babies. Someone who is so freaking awesome that you pale in comparison. Just remember that we all try to make ourselves look great, it’s good PR. We all want to look cooler than we are, busier than we are, more successful than we are. So if you’re told that your “frenemy” just booked 15 NBA triplet sessions for next week, just smile and wink. Who knows? Your next blog post of the amazing home and kids with designer duds may just be of your sister-in-law that you begged to let you shoot her family for free so you could put it on your site. I won’t tell if you won’t.

Feeling guilty. I actually feel that guilt is a pretty wasted emotion. You made a mistake, learn from it and move on. Your guilt isn’t helping anyone. For reals.

Not backing up properly. “I’m not a wedding photographer” I said. “I can go back and do a reshoot” I thought. Fine, maybe you can. But do you WANT to? I’d much rather spend the extra 10 minutes making an extra backup than the hours of a reshoot and re-edit. Oh my gosh, the stress of trying to recover images. Now I back-up my computer with Time Machine, with BackBlaze online, with an external hard-drive AND with DVDs. Excessive? Maybe. Safe? Definitely.

Getting rid of files. I tell my clients that I keep ordered files for one year. I had a client from 3 years prior want to purchase her digital files and I only had one copy of them, and it was on a busted hard drive. Bummer to lose out on that sale. But hurrah, I also had it on disc! If I had tossed those files to save “room” (and COME ON, how much room does it take to save the files?) I wouldn’t have that extra money in my pocket. Now I try to save everything. It’s like free money sometimes.

Being too much of a fluffer. Tissue paper, fancy cards, expensive things sent to the clients before they pay me a dime. I know this works for other people and that is awesome. I get the whole “boutique” studio thing. I however, want money. Cold hard cash, and I want to keep my bottom line as low as possible. So I carefully research what products give me the best look to match my branding, and discard the rest. I still have a lot of cool packaging and products, but I’m also as green as possible – making killer .pdfs to send instead of fancy triple tri-folded welcome cards. I still have a case of tiny silver tins that I thought would be great for wallets, but they are actually too small because I didn’t bother to match the measurements. Any ideas?

Listening to my husband. He’s a smart guy, maybe almost as smart as me. He owns a company. He runs a business. But he has no stinking idea about MY business. Don’t get me wrong, he gives me lots of good advice. Lots of common sense advice. But he never really can give me specific advice or ideas about this biz, because he’s #1 – not in it, and #2 – not a woman and not a mom. Before you yell at me for being sexist, think about who your clients are. If they are not overwhelmingly women, you are tricking me and not actually a baby photographer. Because the people we are targeting are moms, are women. And last I checked, my husband was neither. He just doesn’t think like women do, men tend to think with their heads while women think with their hearts. So while his advice and ideas are always practical, they are never emotional – and that’s what we need to tap into to succeed in this particular business.

Not sharing and not caring. I am not a private person. I have a big blabbermouth and I love to talk. Back when I was still listening to him, my husband was constantly telling me to stop telling my photog friends (online and in real life) all the awesome things I was doing. That I needed to keep it to myself, or someone would come along and steal it. And guess what, people HAVE come along and stolen stuff. And I got bent out of shape, I got really mad, I even once yelled at someone on the phone. Gross. Being afraid of sharing, being afraid of friends and being afraid of people in general is not how I want to live my life. AT ALL. So now I share, and I share as much as I can. This blog, and the mentoring we’ve been doing has been such a gift to me. I love thinking up all the things I can share, and I love seeing other photographers grow. And now no one can steal anything from me. Because I give it all away and that’s MY choice.

Photographer Olympics

Someone on a photography forum that Danna and I visit coined this phrase, and it was one of those “it’s funny ’cause it’s true” moments. With the 2010 Winter Olympics happening right now in Vancouver, I thought this post would be timely.

I think wedding photographers have been participating in the Photographer Olympics for some time now. If you walk through the print competition at WPPI, you see that wedding photography has become such an artform, such an amazing skill – that it almost feels like a photo of a smiling bride and groom just doesn’t cut it anymore. The brides are cooler, the dresses are trashier, the locations more and more gritty and intense. They are incredible images, and truly inspiring to see. However, these brides and grooms (or models) are adults , and can speak freely with their photographers about what they like, dislike, want to do, have objections to.

The newest event – Newborns in Odd Places – is something else entirely though. We’ve been seeing countless babies being put in VERY unsafe situations and frankly, it’s scaring the hell out of us. There seems so be a bit of a one-upmanship going on in baby photography these days, where it’s all about who can get the coolest shot. There are a lot of fantastic newborn photographers working right now, and I admire their passion to be innovative, and their talent with babies. I also realize that above all, these are businesses – and must run profitably, and put the studio and the photographer in the best light. So it may not behoove them to fully explain how each shot is done – especially if they are teaching workshops where they spill their secrets. However, I think it is amazing of them when they explain when a newborn shot is a composite (two photos brought together to make one image) so that there are not countless other newborn photographers putting babies at harms way in order to duplicate a fantastic shot they see on Flickr.

For example, there is a pose that is popular right now where the baby looks like a sack of potatoes. The originators of this shot do it as a composite. They DO NOT have a baby wrapped tightly in a blanket and then sitting up on a wooden floor unassisted. They hold the baby from one side, snap the photo. Hold the baby from the other side, snap the photo. Blend the two in Photoshop and erase out any hands. Voila. I have however, seen other photographers try this and it was obvious that the image was no composite. Now to be fair – I had no idea that it was a composite at first. In fact, my eyes have been opened now to find that a lot of amazing newborn images that I have long admired are also in fact composites.

Now is it the responsibility of the originating photographer to tell everyone it is a composite? Of course not. They created art – and there was a reason why those hands were edited out in the first place. But it IS the responsibility of the dozens of photographers trying to duplicate the shot to step back and think about what they are doing. Is it safe? Is there even the slightest chance this baby will be harmed? These babies are often less than 2 weeks old, with undeveloped neck muscles and giant soft spots on their heads. Is there anyone on earth that wants to put that baby in a situation where it might come crashing into the floor?

Hanging babies, placing babies on precarious ledges (my image of my daughter Charlotte on a bookcase is a popular one with clients) are all opportunities for an amazing photograph yes, but also an opportunity for a baby to be seriously injured. Personally, I don’t do any hanging newborn shots and whenever I place a baby on a shelf that baby needs to be swaddled tightly so that it doesn’t move a muscle and I keep a parent right there to spot. I don’t do a ton of crazy things with babies because I find those images usually don’t sell – my clients just want simple images of their new baby.

But before I get too preachy, I will admit that earlier in my career I took some shots of babies that the parents wanted, but made me feel very uncomfortable doing. (Yes, I had a baby in a tree. YIKES!) Now that I am more experienced, I have no problems telling parents when I feel the shot is unsafe. If as a photographer you are doing a newborn shot where there is a chance for the baby to be injured, think about doing a composite and erasing the supporting hands out in Photoshop. If this is more than your PS skills allow for, then perhaps the shot is not the wisest one to create. Fantastic photography is all about taking personal risks, challenging yourself to be better. Taking risks with a baby’s safety is just not worth any fantastic image you could possibly get. Sometimes the safest place for a baby to be (the parents’ arms) is the most beautiful image you could create.

I think the most important thing to realize as a newborn photographer is that you are hired to create images of a beloved baby, images that are sweet and give the parents a record of its newness and pure innocence. If you are a new photographer, start your career by taking simple shots of these little babies. Newborn photography can actually be very difficult and takes time, patience and experience to get the posing down correctly. Walk before you run, spend hours training for your event and get the newborn basics down before attempting any shot seen during the Photographer Olympics.

Get Mentored By Two Photogs – 2010 ThirstRelief Mentor Auction

We were so honored to be asked to be mentors in this year’s ThirstRelief Mentor auction. It’s filled with some of the most amazing photographers in the industry today, so we feel pretty humbled to have been nominated. If you are going to be in Las Vegas for WPPI and have been interested in our mentoring, please bid as all proceeds go to this wonderful cause.

Grow as a photographer while saving lives!

We’re participating in the 2010 ThirstRelief Mentor Auction. Our mission is to save lives by tapping into the incredible talent and generosity of the photo industry.

Did you know that every 15 seconds someone dies of a waterborne illness? That’s 5760 people every day! You can help. Bid on a mentoring session with your favorite photographer!

100% of the proceeds directly benefit Thirst Relief. Add to that the incredible wisdom and talent that is being shared in the one-on-one mentor sessions and you have better and more successful photographers! It’s truly a win win for everyone involved!

About us and our mentor auction

Two Photogs is a collaboration between two very different photographers. Brandy and Danna both live in Calgary, Alberta, Canada but instead of competing for clients they have each specialized in ways so unique to them that they can instead help each other succeed. Danna Bowes of Bowes Photography – Baby Art specializes in studio-lit portrait work, and her passion is newborn babies and their families. Danna’s work can be described as timeless, focusing on the beauty of love and relationships. The majority of her work is in black and white, making it simple and classic.Brandy Anderson of Fresh Sugar Photography is self taught and her style is often described as modern and fresh. She utilizes elements she find in the homes of her clients to create lifestyle images on-location. Color is often a huge element to her work and she focuses on the fun families have together.

Together they have created the Two Photogs blog where they share resources and information with other photographers. They hold “inspiration challenges”, which are meant to push the photographer to get out of their box and explore different techniques. They also have articles relevant to today’s photographer such as shopping for computers, networking with other photographers and fun how-to’s. Brandy and Danna will buy you lunch and you have 2 hours to ask them anything. From business to newborn posing to natural or studio lighting. Anything you want to know about being a successful children’s photographer. We are also throwing in all of our professionally-filmed and very sought after videos!

Our mentor session will take place at WPPI 2010 (Las Vegas).

To bid on our auction, visit: Thirst Relief Auction